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All Outputs (6)

An artists’ approach to the interpretation of luminance and reproduction of coloured shadows through pigment colour mixing (2008)
Presentation / Conference
Parraman, C. (2008, November). An artists’ approach to the interpretation of luminance and reproduction of coloured shadows through pigment colour mixing. Presented at Colorlab Workshop #7/2008: Dynamic range of light, contrast and perception in digital images, Norwegian Color Research Laboratory, Gjøvik University College, Norway

Invited Colorlab Workshop #7/2008: Dynamic range of light, contrast and perception in digital images, organized by the Norwegian Color Research Laboratory, Gjøvik University College. In natural and artificial environments light has an extremely hi... Read More about An artists’ approach to the interpretation of luminance and reproduction of coloured shadows through pigment colour mixing.

The art and science of colour: Bridging the gap between art and perception (2008)
Presentation / Conference
Parraman, C., & Rizzi, A. (2008, November). The art and science of colour: Bridging the gap between art and perception. Paper presented at CHArt Conference (Computers and the History of Art 24th Annual Conference), Birkbeck, University of London

The paper considers the relation between the art and science of colour perception and how computational procedures, which mimic our visual system, have been developed to advance digital imaging techniques for the enhancement of colour and image quali... Read More about The art and science of colour: Bridging the gap between art and perception.

Pixel perfect - working with CMYK & RGB - A comparison of printed samples (2008)
Presentation / Conference
Parraman, C., Laidler, P., & Wang, Y. (2008, October). Pixel perfect - working with CMYK & RGB - A comparison of printed samples. Presented at 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol

This workshop compared different pre-printed samples on a range of fine art materials, which range from Japanese papers to fine art canvas. These samples demonstrate a very broad range of surface qualities and differences in the gamut of the printed... Read More about Pixel perfect - working with CMYK & RGB - A comparison of printed samples.

Specifying colour and maintaining colour accuracy for 3D printing (2008)
Journal Article
Parraman, C., Walters, P., Huson, D., & Reid, B. (2008). Specifying colour and maintaining colour accuracy for 3D printing. Proceedings of SPIE, 6805, https://doi.org/10.1117/12.766540

Advances in rapid prototyping technologies have led to the emergence of three-dimensional printers which can fabricate physical artefacts, including the application of surface colours. In light of these developments, this paper asserts that the need... Read More about Specifying colour and maintaining colour accuracy for 3D printing.

Colour in flux: Describing and printing colour in art (2008)
Journal Article
Parraman, C. (2008). Colour in flux: Describing and printing colour in art. Proceedings of SPIE, 6807, https://doi.org/10.1117/12.766612

This presentation will describe artists, practitioners and scientists, who were interested in developing a deeper psychological, emotional and practical understanding of the human visual system who were working with wavelength, paint and other materi... Read More about Colour in flux: Describing and printing colour in art.