All Outputs (10)

Right is a relative position (2022)
Physical Artefact
Ho, W. Right is a relative position. [Print, paper, card, ink]. Knoxville Tennessee

While spending time in Tennessee as a visiting fellow in October 2022, the upcoming elections dominated the news. The televised debates revolved around the issues of rights, and who is right, and what it means to be on the right. It struck me how ir... Read More about Right is a relative position.

KART 122 (2022)
Physical Artefact
Bodman, S. KART 122. [Printmaking, rubber stamp, stencils]. Australia

One contributing artist for KART 122. November this year marks the 50th anniversary of Richard Adams' book Watership Down and Kart celebrates this on the cover. KART magazine is an assembling publication promoting artistic and cultural diversity. K... Read More about KART 122.

Anatomy of a rainbow (2022)
Physical Artefact
Ho, W. Anatomy of a rainbow. [Printmaking]. University of Utah, Salt Lake City, Utah, USA

In collaboration with University of Utah Printmaking department, we took monoprint files from one of my latest fine art prints, called Hide and Seek. The files were scanned, digitised, shared between London and Salt Lake City, expanded, laser engrave... Read More about Anatomy of a rainbow.

Celebrating Excellence (2022)
Physical Artefact
Adukwu, E., Airey, A., Sanderson Bellamy, A., Okeyoyin, O., & Savvantoglou, A. Celebrating Excellence. [Booklet constructed using the 'Canva' software]. UWE Bristol

Inspiring Stories of Excellence: A Showcase of Black Heritage Professionals in the College of Health, Science & Society at UWE Bristol Black History Month (BHM) presents an opportunity to celebrate the achievements and history of Black people and... Read More about Celebrating Excellence.

Conditions for play (2022)
Physical Artefact
Davis, R., & Paul, A. Conditions for play. [Manifesto Poster]. UWE City Campus

This co-created Manifesto poster/print is the physical output of qualitative data collected by asking UWE Arts and Design students at City Campus this question: "What does play mean to you in your creative practice?" Responses were gathered a... Read More about Conditions for play.

Write Here - for Field Report (2022)
Physical Artefact
Bodman, S. Write Here - for Field Report. [Artist's Book]. Australia

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2021 published the following year, June 2022. Artists contribute 100 pages of their 'report' which is a documentat... Read More about Write Here - for Field Report.

A provocation for post-digital publishing (2022)
Physical Artefact
Abba, T. (2022). A provocation for post-digital publishing. [Print]. Bristol

A series of practice-led arguments around affect, physicality and digital frameworks. Published April 2022.

Ghosts in the machine (2022)
Physical Artefact
Bodman, S. Ghosts in the machine. [Paper/Artist's book]. Bristol

Our Ghosts in the Machine WBN publication is an A4 loose-leaf artist’s book which can be taken apart and made into a portable exhibition. Produced in an edition of 100, housed in a string tied envelope with a screenprinted title. The block of pages h... Read More about Ghosts in the machine.

Read With Me (2022)
Physical Artefact
Bodman, S. Read With Me. [Risograph and relief print]. London/Bristol, UK

Read With Me. Extending from the experimental book project ‘Read to Me’, this book is the result of: a performative drawing event, readings by a psychometric reader, collages made during lockdown and words assembled from the dissected readings. It wa... Read More about Read With Me.

Ripley's Buttons (2022)
Physical Artefact
Bodman, S., & Dixon, J. Ripley's Buttons. [Badges]. Bristol

A collaboration with poet Jeremy Dixon of Hazard Press. A limited edition of 50 sets of 6 text and image badges in tribute to 'The Talented Mr Ripley' by Patricia Highsmith.