All Outputs (42)

Photo of the Day (2015)
Digital Artefact
Harman, A. (2015). Photo of the Day. [Photo]

Don’t Take Pictures is a photography magazine published in print in addition to regular online articles. The title, Don’t Take Pictures, references the language of modern photography. Over the years, the term “taking pictures” has begun to be replace... Read More about Photo of the Day.

Photolucida Critical Mass Top 50 (2015)
Digital Artefact
Harman, A. (2015). Photolucida Critical Mass Top 50. [Photos]

Critical Mass is an annual online program that makes connections within the photography community. Photographers from anywhere in the world, submit a portfolio of 10 images. Through a pre-screening process, the field is narrowed to a group of 200 fin... Read More about Photolucida Critical Mass Top 50.

Thatcher the State School Snatcher (2015)
Digital Artefact
Maisuria, A. (2015). Thatcher the State School Snatcher

Blogpost for The BERA Blog: Research Matters. https://www.bera.ac.uk/blog/thatcher-the-state-school-snatcher

Nosejob (2015)
Digital Artefact
Dean, J. (2015). Nosejob

Ink, digital prints, ply, 42 x 29.7cm, 2015. Exhibited in '25', University of Westminster, London, 2015

The Sensory War 1914-2014 (2015)
Digital Artefact
Davies, K., & Carden-Coyne, A. (2015). The Sensory War 1914-2014. Manchester

This major exhibition marking the Centenary of the First World War explored how artists have communicated the impact of military conflict on the body, mind, environment and human senses between 1914 and 2014. The show examined how artists from 191... Read More about The Sensory War 1914-2014.

CML/CMIR camera tests Oct 2015 (2015)
Digital Artefact
Flaxton, T., & Sparke, S. (2015). CML/CMIR camera tests Oct 2015

Centre for Moving Image Research and Cinematographers Mailing Lists began testing cameras and Camera Prototypes together in February 2014. These involved Professional Cinematographers and various professional crew members (Camera Assistants, Digital... Read More about CML/CMIR camera tests Oct 2015.

Architectural place as a resource: Principles towards a manifesto (2015)
Digital Artefact
Devereux, M., Littlefield, D., & Meraz, F. (2015). Architectural place as a resource: Principles towards a manifesto

There is a great deal of debate around the question of who owns our cities. Space and buildings perceived as 'public' are often not as 'open' and accessible as they appear to be whilst 'private' space and buildings are often very 'open.' The question... Read More about Architectural place as a resource: Principles towards a manifesto.

Et Cetera (2015)
Digital Artefact
Dean, J. (2015). Et Cetera

ink on glass, max 492 x 234cm, DeptfordX, 2015

Zero sum, Halle 14: Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany 12 September - 8 November 2015 (2015)
Digital Artefact
Dickinson, R. (2015). Zero sum, Halle 14: Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany 12 September - 8 November 2015. [Single Channel Video, 5 Channel Audio]

Zero Sum was created and commissioned for the exhibition Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany (12 September - 8 November 2015). It consisted of an instructional video with an on screen avatar / instructor, whi... Read More about Zero sum, Halle 14: Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany 12 September - 8 November 2015.

Tate Summary: Tracey Moffatt, 'Doll Birth, 1972', From 'Scarred For Life' (1994) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Doll Birth, 1972', From 'Scarred For Life' (1994). [Gallery website]

Tate Summary: Thomas Demand, 'Zeichensaal (Drafting Room)' (1996) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Thomas Demand, 'Zeichensaal (Drafting Room)' (1996). [Gallery website]

Tate Summary: Tracey Moffatt, 'Mother's Day, 1975', from 'Scarred for Life' (1994 ) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Mother's Day, 1975', from 'Scarred for Life' (1994 ). [Gallery website]

Tate Summary: Gillian Ayres OBE, 'The Colour That Was There' (1993) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Gillian Ayres OBE, 'The Colour That Was There' (1993). [Gallery website]

Tate Summary: Tracey Moffatt, 'Useless, 1974', from 'Scarred for Life' (1994 ) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Useless, 1974', from 'Scarred for Life' (1994 ). [Gallery website]

Tate Summary: Tracey Moffatt, 'The Wizard of Oz, 1956', from 'Scarred for Life' (1994 ) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'The Wizard of Oz, 1956', from 'Scarred for Life' (1994 ). [Gallery website]

Tate Summary: Tracey Moffatt, 'Heart Attack, 1970', from 'Scarred for Life' (1994) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Heart Attack, 1970', from 'Scarred for Life' (1994). [Gallery website]

Tate Summary: Tracey Moffatt, 'Charm Alone, 1965', from 'Scarred for Life' (1994) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Charm Alone, 1965', from 'Scarred for Life' (1994). [Gallery website]

Tate Summary: Tracey Moffatt, 'Birth Certificate, 1962', from 'Scarred for Life' (1994) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Birth Certificate, 1962', from 'Scarred for Life' (1994). [Gallery website]

Tate Summary: Tracey Moffatt, 'Job Hunt, 1976', from 'Scarred for Life' (1994 ) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Job Hunt, 1976', from 'Scarred for Life' (1994 ). [Gallery website]

Tate Summary: Tracey Moffatt, 'Telecam Guys, 1977', from 'Scarred for Life' (1994) (2015)
Digital Artefact
Hughes, L. (2015). Tate Summary: Tracey Moffatt, 'Telecam Guys, 1977', from 'Scarred for Life' (1994). [Gallery website]