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Feminine boundaries: Adolesence, witchcraft and the supernatural in new gothic cinema and television (2009)
Book Chapter
Tincknell, E. (2009). Feminine boundaries: Adolesence, witchcraft and the supernatural in new gothic cinema and television. In I. Conrich (Ed.), Horror Zone: The Cultural Experience of Contemporary Horror Cinema. I.B.Tauris, Macmillan

The 'new gothic' film and television text addressed to a largely female audience such as Buffy the Vampire Slayer, Twilight and True Blood, has become an important genre for the staging and testing out of ideas about adolesent femininity, sexuality... Read More about Feminine boundaries: Adolesence, witchcraft and the supernatural in new gothic cinema and television.

The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris (2009)
Book Chapter
Dolan, J., Gordon, S., & Tincknell, E. (2009). The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris. In R. Carroll (Ed.), Textual Infidelities: Adaptations in Print and Visual Cultures. Continuum

This co-authored article about biopics of key women writers of the twentieth century is located in the proliferation of the genre since the 1990s. Analysis of Iris (Richard Eyre, 2001), The Hours (Stephen Daldry, 2002) and Sylvia (Christine Jeffs, 2... Read More about The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris.