All Outputs (3)

The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer (2013)
Book Chapter
Laidler, P. (2013). The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer. In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (303-309). Australia: Monash University Publishing

This paper has been developed from a practice-based study for my PhD thesis 2011, entitled: Collaborative digital and wide format printing: methods and considerations for the artist and master printer. The paper discusses the panel's themes of printm... Read More about The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer.

Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing (2012)
Book Chapter
Parraman, C., & Laidler, P. (2012). Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing. In R. Eschbach, G. G. Marcu, & A. Rizzi (Eds.), Color Imaging XVII: Displaying, Processing, Hardcopy (8292-38). USA: SPIE

The current inkjet market is mainly composed of two dimensional printers, paper and vinyl printing, 3D CAD, solvent wide-format and UV printing onto paper, plastics and board. Inkjet is ubiquitously used as a proofing or prototyping tool in preparati... Read More about Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing.

The production of archivally stable fine art prints: The role of the master printer in the digital age (2006)
Book Chapter
Thirkell, P., & Laidler, P. (2006). The production of archivally stable fine art prints: The role of the master printer in the digital age. In R. Thompson, A. Manning, & J. Townsend (Eds.), Preservation and Conservation Issues Related to Digital Printing and Digital Photography. World Power Books

From a conference paper given at the Third International Conference: Preservation and Conservation Issues Related to Digital Printing and Digital Photography, 25th April 2006, Institute of Physics, London. For many blue chip artists the master printe... Read More about The production of archivally stable fine art prints: The role of the master printer in the digital age.