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All Outputs (95)

Ten years of I-Docs: A reflective discussion on polyphony and practice-led research (2022)
Book Chapter
Aston, J. (2022). Ten years of I-Docs: A reflective discussion on polyphony and practice-led research. In F. Merino, & M. Penafria (Eds.), Storybits I – Narrative and Digital Media (15-30). (1). Covilha, Portugal: Universidade de Beira Interior. https://doi.org/10.25768/654-889-6

This article is based on my keynote and accompanying workshop for the inaugural StoryBits conference in April 2021. This was ten years on from the first i-Docs symposium in March 2011, with the StoryBits conference taking a similar approach in relati... Read More about Ten years of I-Docs: A reflective discussion on polyphony and practice-led research.

Interactive documentary: Its history and future as a polyphonic form (2022)
Book Chapter
Aston, J. (2022). Interactive documentary: Its history and future as a polyphonic form. In K. M. Ryan, & D. Staton (Eds.), Interactive Documentary: Decolonising Practice-Based Research (20-37). New York and London: Routledge

This chapter looks at the decolonization of interactive documentary practices through the lens of polyphony. Writing as practice-based researchers from a position of privilege, the authors argue that self-reflexivity is a key requirement for “decolon... Read More about Interactive documentary: Its history and future as a polyphonic form.

Many ways of directing a film: Teaching the ‘Modes of creative practice' (2019)
Book Chapter
Lees, D. (2019). Many ways of directing a film: Teaching the ‘Modes of creative practice'. In M. D. Mourāo, S. Semerdjiev, C. Mello, & A. Taylor (Eds.), 21st Century Film, TV and Media School Book – Volume 2: Directing. CILECT

This chapter examines the creative practice of fiction film directors and seeks to identify patterns of difference that can be sorted into coherent schemes of practice. I then apply these findings in order to propose pedagogic innovations in film edu... Read More about Many ways of directing a film: Teaching the ‘Modes of creative practice'.

The readerly and the cinematic: Hybrid reconfigurations through digital media practice (2019)
Book Chapter
Aston, J. (2019). The readerly and the cinematic: Hybrid reconfigurations through digital media practice. In R. Coover (Ed.), The Digital Imaginary. Bloomsbury Publishing

This is a critical response to two interviews that will be in this new collection from interactive narrative pioneers David Clark and Sharon Daniel. I was commissioned to write this by the book's editor, Roderick Coover, based on my work as a pioneer... Read More about The readerly and the cinematic: Hybrid reconfigurations through digital media practice.

Mixed messages: An investigation into the discursive construction of journalism as a practice (2019)
Book Chapter
Reardon, S. (2019). Mixed messages: An investigation into the discursive construction of journalism as a practice. In S. Allan, C. Carter, S. Cushion, L. Dencik, I. Garcia-Blanco, J. Harris, …A. Williams (Eds.), The Future of Journalism: Risks, Threats and Opportunities (276-286). Abingdon: Routledge

Using the tools of discourse analysis, this research identifies the competing and sometimes contradictory public discourses around the requirements for the next generation of journalists—those of journalism educators, industry accreditation bodies,... Read More about Mixed messages: An investigation into the discursive construction of journalism as a practice.

Colonial Complexity in the British Landscape: An African-centric autoethnography (2019)
Book Chapter
Sobers, S. (2019). Colonial Complexity in the British Landscape: An African-centric autoethnography. In S. De Nardi, H. Orange, E. Koskinen-Koivisto, & S. High (Eds.), The Routledge Handbook of Memory and Place. London: Routledge

This chapter explores the notion of what sites of collective significance in the UK can mean to people of African descent , whose ancestral lands were formerly colonised by the British Empire. With such a premise, the methodological position of this... Read More about Colonial Complexity in the British Landscape: An African-centric autoethnography.

The Hour of the Furnaces as an essay film (2018)
Book Chapter
Pérez-Blanco, H. (2018). The Hour of the Furnaces as an essay film. In J. Campo, & H. Pérez-Blanco (Eds.), A Trail of Fire for Political Cinema: The Hour of the Furnaces Fifty Years LaterIntellect

Polyphonic futures (2018)
Book Chapter
Aston, J., & Tsurusaki, A. (2018). Polyphonic futures. In A. Tsurusaki (Ed.), Game Changing Documentarism (308-313). Tokyo, Japan: BNN Inc

Game-Changing Documentarism engages in dialogue with more than 30 writers and stakeholders who lead the state-of-the-art documentary scene in Japan and abroad. The editor writes in the introduction to my article: "How will the documentary list living... Read More about Polyphonic futures.

Interactive documentary: Setting the field (2018)
Book Chapter
Aston, J., & Gaudenzi, S. (2018). Interactive documentary: Setting the field. In D. Williams (Ed.), Ten Years of Studies in Documentary Film. London: Routledge

This is a re-print of my 2012 article of the same name.

United Kingdom: Post-Leveson, media accountability is all over the place (2017)
Book Chapter
Jempson, M., Powell, W., & Reardon, S. (2017). United Kingdom: Post-Leveson, media accountability is all over the place. In T. Eberwein, S. Fengler, & M. Karmasin (Eds.), The European Handbook of Media Accountability. Routledge

In recent years, the media in the UK have been under greater scrutiny than ever before, across all platforms. Journalists have been the subject of protracted criminal investigations and trials. The Leveson Inquiry into the culture, practices and ethi... Read More about United Kingdom: Post-Leveson, media accountability is all over the place.

The New Materialism: Human and algorithmic agency within interactive documentary (2017)
Book Chapter
Aston, J. (2017). The New Materialism: Human and algorithmic agency within interactive documentary. In A. Miles (Ed.), The Material Turn and Interactive Documentary: A Panel (50-61). A media materialisms UnPublising initiative

“This paper came out of a panel on 'The Material Turn and Interactive Documentary' at Visible Evidence XXIV, Buenos Aires, 2017. Each panelist was asked to make a series of propositions and interrogations around new epistemologies and ontologies for... Read More about The New Materialism: Human and algorithmic agency within interactive documentary.

View over Bristol - Tryers, creativity and a civic imaginary (2017)
Book Chapter
Sobers, S., Dovey, J., & Agusita, E. (2017). View over Bristol - Tryers, creativity and a civic imaginary. In A. Atay, & J. Brower (Eds.), Communication, Culture, and Making Meaning in the City: Ethnographic Engagements in Urban Environments. Lexington Books

"Bristol has a culture of tryers, lots of people trying but because there’s a lack of accessibility. Because there is a lack of exits, naturally there are loads of people trying to get out… it is full of people who are trying because they can't grab... Read More about View over Bristol - Tryers, creativity and a civic imaginary.

Community media as social innovation: Transformation, agency and value (2017)
Book Chapter
Dovey, J., Sobers, S., & Agusita, E. (2017). Community media as social innovation: Transformation, agency and value. In S. Malik, C. Chapain, & R. Comunian (Eds.), Community Filmmaking: Diversity, Innovation, Policy and Practice. (1). Taylor & Francis (Routledge). https://doi.org/10.4324/9781315642727

This chapter discusses the Creative Citizens study, an extensive research project conducted by the authors from 2013 to 2015, looking into the community media practices of the South Blessed collective, a self-motivated network of young creatives appr... Read More about Community media as social innovation: Transformation, agency and value.

Harvesting social media for journalistic purposes in the UK: The balance between privacy rights and freedom of expression (2017)
Book Chapter
Gross, B. (2017). Harvesting social media for journalistic purposes in the UK: The balance between privacy rights and freedom of expression. In W. J. Schünemann, & M. Baumann (Eds.), Privacy, Data Protection and Cybersecurity in Europe (31-42). Cham: Springer. https://doi.org/10.1007/978-3-319-53634-7_3

Social media have been shown to have the potential to broaden the scope of public communication and public sphere processes. In repressive societies or contexts, they can function as an alternative public sphere challenging the mainstream; but it als... Read More about Harvesting social media for journalistic purposes in the UK: The balance between privacy rights and freedom of expression.

Interactive documentary and live performance: From embodied to emplaced interaction (2017)
Book Chapter
Aston, J. (2017). Interactive documentary and live performance: From embodied to emplaced interaction. In M. Rose, S. Gaudenzi, & J. Aston (Eds.), The Evolving Practices of Interactive Documentary (222-237). New York: Wallflower, subsidiary of Columbia University Press

In 2015, I gave a keynote lecture on ‘Interactive Documentary and Live Performance’ (Aston 2015), a subject which has received little attention to date within the field of interactive documentary practice. My argument was that the sense of time, plac... Read More about Interactive documentary and live performance: From embodied to emplaced interaction.

Who wants to become banal? The i-doc from experiment to industry (2017)
Book Chapter
Dovey, J. (2017). Who wants to become banal? The i-doc from experiment to industry. In J. Aston, S. Gaudenzi, & M. Rose (Eds.), I-Docs: The Evolving Practices of Interactive Documentary (272-288). Columbia, USA: Wallflower Press

In this chapter I want to mark a moment in the evolving story of the interactive documentary and to look at its developmental trajectory to date. I want to think about how we would establish a timeline for the development of the i-doc and further, ho... Read More about Who wants to become banal? The i-doc from experiment to industry.

Not media about, but media with: Co-creation for activism (2017)
Book Chapter
Rose, M. (2017). Not media about, but media with: Co-creation for activism. In M. Rose, S. Gaudenzi, & J. Aston (Eds.), i-docs: the evolving practices of interactive documentary (49-65). New York, Chichester, West Sussex: Wallflower, Columbia University Press

In this chapter I address the co-creative dimension of two interactive documentary projects – Question Bridge and Quipu. I examine the cultural precursors and contexts that inspired their divergent co-creative approaches. I consider how the producers... Read More about Not media about, but media with: Co-creation for activism.

Becoming independent: Distribution after the multiplex (2017)
Book Chapter
Lees, D., & Sexton, M. (2017). Becoming independent: Distribution after the multiplex. In A. Weinstein (Ed.), Perform: Directing for the Screen. Abingdon: Routledge Focail Press

This chapter provides an overall understanding of how online distribution has impacted on directing for independent films. It seeks to offer insights into the opportunities for directors to find distribution online, analysing new strategies that can... Read More about Becoming independent: Distribution after the multiplex.