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The reconstruction of the appearance of the Acancéh frieze by 2.5D printing (2020)
Conference Proceeding
Klein, S., Trujillo Vazquez, A., Calvet, X. A., & Parraman, C. (in press). The reconstruction of the appearance of the Acancéh frieze by 2.5D printing

The aim of the project is to reconstruct the appearance of the Maya frieze of the Palace of the Stuccoes in Acancéh Yucatán, dating from c. 350 BC to AD 850. The frieze itself is destroyed by now but was documented by Adela Breton in 1907. Her waterc... Read More about The reconstruction of the appearance of the Acancéh frieze by 2.5D printing.

The application of 2.5D and 3D technologies for the conservation and presentation of surface texture in paintings (2018)
Thesis
Aure Calvet, X. The application of 2.5D and 3D technologies for the conservation and presentation of surface texture in paintings. (Thesis). University of the West of England. Retrieved from https://uwe-repository....ribe.com/output/1491140

This thesis investigates the use and potential applications of emerging 2.5D and 3D digital technologies applied to the study, conservation and presentation of the surface texture of paintings concentrating particularly on issues and applications r... Read More about The application of 2.5D and 3D technologies for the conservation and presentation of surface texture in paintings.

Generating 3D models of paintings through the combination of 2D, 3D and RTI data (2017)
Conference Proceeding
Aure Calvet, X., O'Dowd, P., & Padfield, J. (2017). Generating 3D models of paintings through the combination of 2D, 3D and RTI data. In N. Lambert, G. Diprose, & J. Bowen (Eds.),

The National Gallery in London has recently been testing the potential of 3D scanning technology to record and measure the surface of paintings. To view and interact with the high-resolution scans requires expensive computational hardware. The propos... Read More about Generating 3D models of paintings through the combination of 2D, 3D and RTI data.


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