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All Outputs (9)

In remembrance of the bloody fact: Coins, public execution and the gibbet in Hanoverian England (2023)
Book Chapter
Poole, S. (2023). In remembrance of the bloody fact: Coins, public execution and the gibbet in Hanoverian England. In S. Lloyd and T. Millet (Eds.), Tokens of Love, Loss and Disrespect, 1750-1850 (93-111). London: Paul Holberton Publishing

Noteworthy eighteenth and nineteenth century public hangings were often marked by the circulation of associative souvenirs, and sometimes of coins. Some, like those professionally minted to mark the execution of James Blomfield Rush in 1849, restrict... Read More about In remembrance of the bloody fact: Coins, public execution and the gibbet in Hanoverian England.

"Some examples should be made": Prosecuting reform bill rioters in 1831-32 (2018)
Book Chapter
Poole, S. (2018). "Some examples should be made": Prosecuting reform bill rioters in 1831-32. In M. T. Davis, E. Macleod, & G. Pentland (Eds.), Political Trials in an Age of Revolutions: Britain and the North Atlantic, 1793—1848 (237-263). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-98959-4_10

Following the House of Lords’ rejection of the parliamentary Reform Bill in the autumn of 1831, severe rioting broke out in a number of English towns. In the judicial retribution that followed, some 259 people were prosecuted, seven of them hanged an... Read More about "Some examples should be made": Prosecuting reform bill rioters in 1831-32.

The politics of 'protest heritage', 1790-1850 (2018)
Book Chapter
Poole, S. (2018). The politics of 'protest heritage', 1790-1850. In C. J. Griffin, & B. McDonagh (Eds.), In Remembering Protest in Britain Since 1500: Memory, Materiality and Landscape (187-213). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-74243-4_8

Acts and marks of commemoration, from anniversary dinners to monuments and statues, were vital components in the production of English democratic culture in the ‘age of revolutions’. But strategies for remembering were not always consensual and refor... Read More about The politics of 'protest heritage', 1790-1850.

'For the benefit of example': Crime scene executions in England, 1720-1830 (2015)
Book Chapter
Poole, S. (2015). 'For the benefit of example': Crime scene executions in England, 1720-1830. In R. Ward (Ed.), A Global History of Execution and the Criminal Corpse (71-101). London: Palgrave Macmillan. https://doi.org/10.1057/9781137444011_3

Progressive accounts of the English encounter between capital punishment and modernity have made much of the abandonment c. 1783-1800 of lengthy processions to customary sites on urban peripheries and their replacement with drop systems on elevated p... Read More about 'For the benefit of example': Crime scene executions in England, 1720-1830.

Not precedents to be followed but examples to be weighed: John Thelwall and the Jacobin sense of the past (2009)
Book Chapter
Poole, S. (2009). Not precedents to be followed but examples to be weighed: John Thelwall and the Jacobin sense of the past. In S. Poole (Ed.), John Thelwall: Radical Romantic and Acquitted Felon (161-173). London: Pickering and Chatto

Essay critically examining the historical writing and historiographical theory of the English radical Jacobin, John Thelwall (1764-1834), and contextualising it within English 18th century historical practice and methodology.

The character and reputation of an acquitted felon (2009)
Book Chapter
Poole, S. (2009). The character and reputation of an acquitted felon. In S. Poole (Ed.), John Thelwall: Radical Romantic and Acquitted Felon (1-11). London: Pickering and Chatto

Introductory essay to edited collection on the life and work of John Thelwall (1764-1834).

Always something wanting: The troubled history of the British moonlight (2008)
Book Chapter
Poole, S. (2008). Always something wanting: The troubled history of the British moonlight. In J. Kerr (Ed.), Night: A Time Between (7-10). Bristol: Royal West of England Academy

A short catalogue essay on the critical reception of British moonlight painting c.1720-1860.