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All Outputs (3)

The development of methods for the reproduction in continuous tone of digitally printed colour artworks (2017)
Thesis
McCallion, P. The development of methods for the reproduction in continuous tone of digitally printed colour artworks. (Thesis). University of the West of England. Retrieved from https://uwe-repository.worktribe.com/output/879992

Advances in printing technologies in the late 19th century led to the development of half-toning techniques enabling the economical reproduction of photographic images in print. Whilst undoubtedly successful in low cost high volume image reproduction... Read More about The development of methods for the reproduction in continuous tone of digitally printed colour artworks.

Reproduction of texture in digitally printed artworks (2013)
Presentation / Conference
Hoskins, S., Parraman, C., Mccallion, P., & Cohen, C. (2013, July). Reproduction of texture in digitally printed artworks. Paper presented at AIC 2013, Newcastle-upon-Tyne

This paper considers alternative approaches to image making and printing that moves from the on-screen representation of images and painting applications, to the physical generation and methods for surface deposition or 2.5D printing. The research in... Read More about Reproduction of texture in digitally printed artworks.

The development of methods for the reproduction of texture in digitally printed artworks (2013)
Presentation / Conference
Mccallion, P. (2013, April). The development of methods for the reproduction of texture in digitally printed artworks. Paper presented at Computers in Art and Design Education (CADE) Conference, Watershed, Bristol

In a digital age where artists and printers are required to learn a wide range of skills, from graphic design to colour science, is it possible to return to a more artistic application of colour, tone and texture with a mechanically printed image usi... Read More about The development of methods for the reproduction of texture in digitally printed artworks.