All Outputs (20)

Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England (2023)
Exhibition / Performance
Klein, S., Trujillo Vazquez, A., Davis, A., Paz, A., Buxton, A., Goodman, B., …Arteaga, R. Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England. [Print]. Exhibited at Bower Ashton Gallery, University of the West of England, Bristol. 13 March 2023 - 24 March 2023. (Unpublished)

The exhibition by printmaking staff at the University of the West of England has become an annual event. At the end of the last exhibition the next one seems far away. But time flies and suddenly March is very near again, and panic begins. The theme... Read More about Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England.

The mountains are calling… (2023)
Exhibition / Performance
Bodman, S. The mountains are calling…. [Artists' books, printmaking]. Exhibited at Bristol. 3 March 2023 - 17 April 2023. (Unpublished)

Curation of an exhibition: This exhibition accompanies a Bookarts at UWE / LAND2 symposium in Bristol discussing environmental themes including water quality, land degradation, pollution and damage to the landscape, interventions and ideas. It sha... Read More about The mountains are calling….

Slow Violence (2023)
Book
Fahy, N., & Clayton, G. (2023). Slow Violence. UWE, Bristol, UK: Impact Press

This publication details research conversation between researchers Niamh Fahy and Dr. Gillian Clayton which took place in December 2022 Gillian and Niamh have been collaborating on a project at Honeygar farm in Somerset,UK, from which Niamh is using... Read More about Slow Violence.

Slow violence and river abuse: The hidden effect of land use on water quality (2023)
Exhibition / Performance
Fahy, N., Clayton, G., bodman, S., & Reynolds, D. Slow violence and river abuse: The hidden effect of land use on water quality. [Printmaking/Photography]. Exhibited at F block Gallery, Bower Ashton, Bristol. 31 January 2023 - 3 February 2023. (Unpublished)

Researchers from HAS, Dr Gillian Clayton and Professor Darren Reynolds (HAS) and Researchers from ACE Niamh Fahy and Associate Professor Sarah Bodman have been collaborating on a project in Somerset, UK, from which Niamh is using data and samples col... Read More about Slow violence and river abuse: The hidden effect of land use on water quality.

Beyond DPP1-De/Re-constructing the wet-plate collodion process (2022)
Exhibition / Performance
Menger, F. Beyond DPP1-De/Re-constructing the wet-plate collodion process. [Tintypes, Albumen prints, inkjet prints and Ambrotypes]. Exhibited at IMPQCT12 conference. 21 September 2022 - 25 September 2022. (Unpublished)

In 2020, the CFPR, in conjunction with the Royal Photographic Society, made a call for papers for a conference, workshops and an exhibition with the title: ‘Don’t’ Press Print-De-constructing and re-construction the wet-plate collodion process’. M... Read More about Beyond DPP1-De/Re-constructing the wet-plate collodion process.

Violent impression - Slow violence in the Slieve Aughty mountains (2022)
Journal Article
Fahy, N. (2022). Violent impression - Slow violence in the Slieve Aughty mountains. Parse, Article 6

The purpose of this text is to examine the cyclical methodologies of fieldwork, deep mapping and printmaking employed to investigate the changing land use of the Slieve Aughty Mountains, located in the west of Ireland. Landscapes subjected to extract... Read More about Violent impression - Slow violence in the Slieve Aughty mountains.

Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design (2022)
Presentation / Conference
Fahy, N. (2022, March). Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design. Presented at Limerick School of Art & Design, Ireland, Limerick School of Art & Design, Ireland

Print Contemporary Practice (PCP) programme is delighted to invite all students to an online talk to be delivered by the PCP Alumni and Ph.D. student Niamh Fahy on Friday, March 11th, at 10:00 am to talk about her artistic and academic journey since... Read More about Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design.

Slow violence and the Slieve Aughty Mountains (2021)
Presentation / Conference
Fahy, N. (2021, December). Slow violence and the Slieve Aughty Mountains. Presented at Visual Culture Research Group, (Online) Visual Culture Research Group, University of the West of England, UK

The purpose of this presentation is to examine the cyclical methodologies of field work, deep mapping and printmaking employed to investigate the changing land use of the Slieve Aughty Mountains located in the West of Ireland. Landscapes subjected to... Read More about Slow violence and the Slieve Aughty Mountains.

Violent impressions - an investigation of slow violence through a printmaking and photography practice (2021)
Presentation / Conference
Fahy, N. (2021, November). Violent impressions - an investigation of slow violence through a printmaking and photography practice. Paper presented at Violence: The fourth Biennial PARSE Research Conference, (Online) Faculty of Applied and Performing Arts, University of Gothenburg

The human actions that create waste and initiate slow violence do not climax with the death and destruction of environment. Other-than-human life will continually and non-coherently assert agency over the future forms and adaptions of that waste (Hir... Read More about Violent impressions - an investigation of slow violence through a printmaking and photography practice.

Maxwell’s disappointment / Sutton’s accident (2021)
Presentation / Conference
Klein, S., Elter, P., Trujillo Vazquez, A., & Fahy, N. (2021, October). Maxwell’s disappointment / Sutton’s accident. Presented at Colour Fever, Online

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell’s disappointment / Sutton’s accident.

Touch: Reflections on making - a crafted digital event (2021)
Presentation / Conference
Boons, S., Fahy, N., & Ho, W. (2021, September). Touch: Reflections on making - a crafted digital event. Paper presented at The Image, Twelfth International Conference, Lisbon, Portugal

This paper reports on the online symposium titled Touch: Reflections on Making developed between the Centre for Fine Print Research (CFPR) at the University of the West of England and the UK Crafts Council in December 2020. The event addressed the th... Read More about Touch: Reflections on making - a crafted digital event.

(De) Constructing the Anthropocene (2021)
Presentation / Conference
Fahy, N. (2021, June). (De) Constructing the Anthropocene. Paper presented at (RE)Imagined Landscapes Symposium, (Online) Hosted by Centre for Environmental Humanities, University of Bristol

The purpose of this paper is to examine the methodologies of deep mapping and printmaking to investigate the changing land use of the Slieve Aughty Mountains in the West of Ireland. Within this paper, I present a body of work situated in practice-bas... Read More about (De) Constructing the Anthropocene.

Touching is believing (2020)
Presentation / Conference
Fahy, N. (2020, December). Touching is believing. Paper presented at Touch symposium- Craft Council Reflections on making, Online hosted by Centre for Print Research and Crafts Council UK (Bristol)

Interpreting interruption (2020)
Presentation / Conference
Fahy, N. (2020, October). Interpreting interruption. Presented at Don't Press Print: De/Rr Constructing the Collodion Process, Bristol (Online)

The planning and precision involved in wet-plate collodion photography necessitates a certain amount of formality, through the methodical workflow followed, a sense of order is imposed (Barger, 2015). However, this order co-exists with the countervai... Read More about Interpreting interruption.

Transplant (2020)
Book
Fahy, N., Lightfoot, S., Mandrile, C., & McDonagh, T. (2020). C. Parraman (Ed.), Transplant. (Printed Edition of 200). Bristol: Impact Press

Immediately Intimate (2020)
Journal Article
Fahy, N. (2020). Immediately Intimate. The Californian Printmaker: The Journal Of The Californian Society Of Printmakers, 17-19

This article will an interdisciplinary printmaking practice focusing on the development of a series of work through interweaving processes and materials. Discussing the notion of transformation through the intimate and complex relationship between m... Read More about Immediately Intimate.

Always Arriving (2019)
Physical Artefact
Fahy, N. (2019). Always Arriving. [Laser Cutting Relief Print]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of te... Read More about Always Arriving.

Doubt (2019)
Physical Artefact
Fahy, N. (2019). Doubt. [Laser Cut Relief Print (Printed on Fabriano Rosapina)]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of techn... Read More about Doubt.

Nothing Here But You (Print) (2019)
Physical Artefact
Fahy, N. (2020). Nothing Here But You (Print). [Lithography, Digital embroidery on waxed Japanese paper]. Woolwich Contemporary Print Fair No 1 Street, London, , United Kingdom 6-13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical... Read More about Nothing Here But You (Print).

Nothing Here But You (2019)
Physical Artefact
Fahy, N. Nothing Here But You. [Lithography, Etching, Digital embroidery on hand waxed paper]. Woolwich Contemporary Print Fair, No 1 Street, London, England 6- 13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical p... Read More about Nothing Here But You.