All Outputs (4)

A 'language of the body': Weightlifting and (reptilian) rhythms of regulation (2024)
Presentation / Conference
Hughes, K. (2024, March). A 'language of the body': Weightlifting and (reptilian) rhythms of regulation. Paper presented at 2024 International Symposium on Autoethnography and Narrative Inquiry, Online

This audio-visual presentation recontextualizes postmodern ‘punk’ feminist writer Kathy Acker’s essay ‘Against Ordinary Language: The Language of the Body’ (1993) as a critical experimental work of narrative autoethnography. It will be proposed that... Read More about A 'language of the body': Weightlifting and (reptilian) rhythms of regulation.

Running together: Proposal for a collective bio/ digi-rhythmic soundscape (2023)
Presentation / Conference
Hughes, K. (2023, June). Running together: Proposal for a collective bio/ digi-rhythmic soundscape. Paper presented at Running Artfully Network Presents: Running Towards a Sustainable Future (Not from our house on fire), Cambridge School of Art, Anglia Ruskin University

For the Running Artfully Network’s launch event in early 2021, I presented an experimental case study from my recently concluded doctoral research project, an audio-visual and intertextual work titled ‘Running in Rome: A Bio/Digi-Rhythmic Soundscape’... Read More about Running together: Proposal for a collective bio/ digi-rhythmic soundscape.

Running In Rome: A bio/digi-rhythmic soundscape (2022)
Conference Proceeding
Hughes, K. (2022). Running In Rome: A bio/digi-rhythmic soundscape.

This performative paper explores an empirical case study and sound “data-stream”, developed as part of a four-year doctoral research project titled Bio-rhythms/ Digi-rhythms: Synthesizing the Digitally Mediated Body Through Performative Methodologies... Read More about Running In Rome: A bio/digi-rhythmic soundscape.

‘Speaking the data’: Renegotiating the digitally-mediated body through performative embodied praxis, sound and rhythmic affect (2021)
Journal Article
Hughes, K. L. (2021). ‘Speaking the data’: Renegotiating the digitally-mediated body through performative embodied praxis, sound and rhythmic affect. Cultural Studies - Critical Methodologies, 21(5), 372-380. https://doi.org/10.1177/15327086211027501

This article explores an alternative autoethnographic methodological approach, using embodied praxis and sound, for critically re-thinking contemporary subjective health practices of digital ‘self-tracking’; popularized in recent years through the ri... Read More about ‘Speaking the data’: Renegotiating the digitally-mediated body through performative embodied praxis, sound and rhythmic affect.