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All Outputs (8)

Very like minds (2017)
Presentation / Conference
Mosley, J., & Warren, S. (2017, November). Very like minds. Paper presented at 'Alison And Peter Smithson: Ideas, Architecture And Impact’ Symposium, Edge Theatre, Edge Arts, Bath University, UK

The illustrated paper 'Very Like Minds' explores the creative practice and research process for the production of the installation 'A Nodding Acquaintance'. This new work by artist Sophie Warren and architect Jonathan Mosley was commissioned by Edge... Read More about Very like minds.

Design leap! Developing a divergent tool through film for use within the architectural design process (2017)
Presentation / Conference
Hynam, M., Sara, R., Mosley, J., & Gething, B. (2017, April). Design leap! Developing a divergent tool through film for use within the architectural design process. Paper presented at CA²RE (CONFERENCE FOR ARTISTIC AND ARCHITECTURAL (DOCTORAL) RESEARCH), Leuven, Belgium

This paper and accompanying short films (www.designleap.org/478/) have been produced to inform the development of a wider design research based PhD. The aim of the PhD is to develop a divergent tool to help designers be more creative within the early... Read More about Design leap! Developing a divergent tool through film for use within the architectural design process.

Filmic Space: Parallels between transitions in film and architecture (2016)
Presentation / Conference
Hynam, M., & Mosley, J. (2016, April). Filmic Space: Parallels between transitions in film and architecture. Paper presented at AMPS Digital Cultural Ecology and the Medium Sized City, Bristol, UK

This paper examines the potential of bringing together filmic language and architectural language to describe the experience of moving through the complex fabric of the modern city. In particular the paper focuses on how the city might be read throug... Read More about Filmic Space: Parallels between transitions in film and architecture.

How to play Utopia (2014)
Presentation / Conference
Mosley, J. (2014, January). How to play Utopia. Presented at Visual Cultures Guest Lecture Series, American University in Cairo, Egypt

'How to play Utopia' explores the work and research context of Jonathan Mosley and Sophie Warren's collaborative practice. The paper examines how the strategies of play, hybridization, participation and the construction of situations within the work... Read More about How to play Utopia.

The rogue and the propositional: the work of Sophie Warren and Jonathan Mosley (2008)
Presentation / Conference
Mosley, J., & Warren, S. (2008, December). The rogue and the propositional: the work of Sophie Warren and Jonathan Mosley. Presented at Dartington College of Arts Visiting Practitioner lecture series, Dartington College of Arts, Devon

Our practice is based on a mutual contamination of art and architectural processes and concerns. We continually and incrementally shift our position in relation to these disciplines, testing, playing and ‘worrying’ at their borders and intersections... Read More about The rogue and the propositional: the work of Sophie Warren and Jonathan Mosley.

The rogue and the propositional: the work of Sophie Warren and Jonathan Mosley (2008)
Presentation / Conference
Mosley, J., & Warren, S. (2008, December). The rogue and the propositional: the work of Sophie Warren and Jonathan Mosley. Presented at Play and Agency: round table seminar with Louise Hojer, Aphra Kerr, Jonathan Mosley and Neil Mulholland at the Gradcam, National College for Art and Design, Dublin

Our practice is based on a mutual contamination of art and architectural processes and concerns. We continually and incrementally shift our position in relation to these disciplines, testing, playing and ‘worrying’ at their borders and intersections... Read More about The rogue and the propositional: the work of Sophie Warren and Jonathan Mosley.

Recent work of Jonathan Mosley and Sophie Warren (2002)
Presentation / Conference
Warren, S., & Mosley, J. (2002, December). Recent work of Jonathan Mosley and Sophie Warren. Paper presented at Presented at ''In Site'' Art and Architecture Conference, Centre of Contemporary Art, Glasgow, UK