Revisiting Richard Hamilton’s typo-topography of Marcel Duchamp’s Large Glass

Laidler, Paul

Abstract

The production of fine art prints has a longstanding relationship with the collaborative print studio, where artists work together with master printers to realize and produce printed artworks. The collaboration between artist and print studio has predominantly been one of facilitation, where the artist is able to access specialist equipment and technical expertise with the tools, materials and operations of a particular print studio. What this involves and what the relationships are has varied between print studios and even between the master printers of a studio. This article will discuss the production of an inkjet printed edition for the artists Richard Hamilton using the collaborative print studio model within a University setting.

Citation

Laidler, P. (2016). Revisiting Richard Hamilton’s typo-topography of Marcel Duchamp’s Large Glass. Print Quarterly, 33(1), 18-26

• Journal Article Type: Article
• Acceptance Date: Jan 13, 2016
• Publication Date: Jan 1, 2016
• Deposit Date: Feb 25, 2016
• Publicly Available Date: Aug 15, 2016
• Journal: Print Quarterly
• Print ISSN: 0265-8305
• Publisher: Print Quarterly Publications
• Peer Reviewed: Peer Reviewed
• Volume: 33
• Issue: 1
• Pages: 18-26
• Keywords: printmaking, collaboration, digital, inkjet
• Public URL: https://uwe-repository.worktribe.com/output/920658
• Publisher URL: https://printquarterly.co.uk/contents-of-volume-33-2016/
• Related Public URLs: http://www.justpressp.com/