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The finance and production of independent film and television in the United Kingdom: A critical introduction

Presence, Steve

The finance and production of independent film and television in the United Kingdom: A critical introduction Thumbnail


Authors

Steve Presence Stephen2.Presence@uwe.ac.uk
Associate Professor of Film Studies



Contributors

Eva Bakoy
Editor

Roel Puijk
Editor

Abstract

This chapter provides a critical introduction to the finance and production of independent film and television production in the UK. Film, long considered entertainment rather than art, continues to suffer from low levels of public funding, and the major incentive – tax relief – favours large-scale American productions rather than indigenous ones. By contrast, television, regarded as a public service, has enjoyed far greater financial support and has been globally successful as a result. However, here too SMEs struggle and, if successful, are vulnerable to takeover by ‘super indies’, global entities driven by commercial logic. The chapter critiques the narrow concept of economic success that permeates both these industries and the policy context that surrounds them, and argues for a more culturally ambitious approach that will encourage more diverse and innovative production.

Publication Date Nov 30, 2017
Deposit Date Oct 3, 2017
Publicly Available Date Nov 30, 2018
Peer Reviewed Peer Reviewed
Pages 247-269
Book Title Building Successful and Sustainable Film and Television Businesses: A Cross-National Perspective
ISBN 9781783208203
Keywords production, film, television, policy, indies, company, independent
Public URL https://uwe-repository.worktribe.com/output/877964
Publisher URL https://www.intellectbooks.co.uk/books/view-Book,id=5266/
Contract Date Oct 3, 2017

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