Outputs (33)

Broken Words/Broken Language Portfolio (2024)
Physical Artefact

Portfolio of prints and books made during a week-long knowledge exchange event (07-13 Oct 2024) with printers and museum volunteers/Linotype and Ludlow casters at Vingaards Officin Book Printing Museum, Viborg, Denmark. Edition of 20.

Angie Butler... Read More about Broken Words/Broken Language Portfolio.

Let’s Talk | Vamos Conversar (2024)
Physical Artefact

For UWE Bristol’s Postgraduate Symposium Proof! 2024, I made a short video presentation inviting students, staff and interested parties to join me in making small artworks for an exhibition EXERCISES FOR ALL at Bower Ashton Library, UWE Bristol this... Read More about Let’s Talk | Vamos Conversar.

Framed oneliner square and oneliner round (2024)
Physical Artefact

The pieces explore how new digital interfaces can capture lines and mark making drawn free hand in space. The aim is to find workflows to use such lines directly as the basis for designed artefacts. The choice of glass as medium is down to the mate... Read More about Framed oneliner square and oneliner round.

House in an Olive Grove (2024)
Physical Artefact

A new building that establishes a new 'vernacular' for a rural Greek landscape

Filature de Soie - slk spinning - we dress as forest architecture (2024)
Physical Artefact

Edition of 100 for 'Filature de Soie - silk spinning - we dress as forest architecture', for ReSite, Maual of Scores, Manifestos & Radical Actions, No.18, Vol 2, Field Study International, April 2024

Composition I and II (2024)
Physical Artefact

Composition I and II, 2024, two collage works made in response to Luiz Sacilotto's Composition painting 1949 for the exhibition: Homagen a Luiz Sacilotto, organised by Marica Rosenberger.

Homagen a Luiz Sacilotto, organised by Marica Rosenberger... Read More about Composition I and II.

A manifesto for slow immersion (2023)
Physical Artefact

Conceived as an answer to the question - how can we curate complex relationships in immersive narratives? This manifesto was presented at ZIPSCENE in Prague (Nov 2023) and distributed to attendees.

The Hyphen is a Dagger (2023)
Physical Artefact

The Hyphen Is a Dagger collaborative publication: Angie Butler, SJFowler, Pat Randle published by Nomad Letterpress.

A distinctive, eccentric, playful work of literature, The Hyphen is a Dagger is a product of a unique collaborative project betwee... Read More about The Hyphen is a Dagger.

Field Study emanation - the Fox sisters - for Field Report 2022 (2023)
Physical Artefact

Field Study emanation, small performance in tribute to the Fox Sisters, 7.30pm, 7th October 2022 by Sarah Bodman for:

Field Report 2022
Journal of Field Study International
Published April 2023

David Dellafiora (curator) - The Field Report i... Read More about Field Study emanation - the Fox sisters - for Field Report 2022.

KART 125 (2023)
Physical Artefact

One contributing artist for KART 125, an edition of 40 collaged artworks for the project.

David Dellafiora (curator) This 125th issue of KART commemorates the 30th anniversary of the death of the sculptor Dame Elizabeth Frink (14th November 1930-... Read More about KART 125.

Right is a relative position (2022)
Physical Artefact

While spending time in Tennessee as a visiting fellow in October 2022, the upcoming elections dominated the news. The televised debates revolved around the issues of rights, and who is right, and what it means to be on the right. It struck me how ir... Read More about Right is a relative position.

KART 122 (2022)
Physical Artefact

One contributing artist for KART 122.
November this year marks the 50th anniversary of Richard Adams' book Watership Down and Kart celebrates this on the cover. KART magazine is an assembling publication promoting artistic and cultural diversity. K... Read More about KART 122.

Anatomy of a rainbow (2022)
Physical Artefact

In collaboration with University of Utah Printmaking department, we took monoprint files from one of my latest fine art prints, called Hide and Seek. The files were scanned, digitised, shared between London and Salt Lake City, expanded, laser engrave... Read More about Anatomy of a rainbow.

Write Here - for Field Report (2022)
Physical Artefact

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2021 published the following year, June 2022. Artists contribute 100 pages of their 'report' which is a documentat... Read More about Write Here - for Field Report.

Fallen (2022)
Physical Artefact

Fallen/Fallen edition of 8: series of printed cards with specimens of flora attached and presentated in a conservation box. Also contains a card with QR code label to a video of a forest walk.
Produced at GG Studio Residency May/June 2022

Skogen Vadens (2022)
Physical Artefact

Skogen Vadens: edition of 20. Hand printed portfolio containing one digital and one letterpress print. Produced at GG Studio Residency May/June 2022

Trees Whisper Birdsong (2022)
Physical Artefact

A pair of poem cards: one in Swedish and one in English, printed letterpress. Produced at GG Studio Residency May/June 2022

Westonbirt community shelter (2022)
Physical Artefact

A timber shelter designed as a research project with Xylotek to explore using Oak grown on site and making as empowerment with harder to reach and marginalised community groups

A provocation for post-digital publishing (2022)
Physical Artefact

A series of practice-led arguments around affect, physicality and digital frameworks. Published April 2022.

Ghosts in the machine (2022)
Physical Artefact

Our Ghosts in the Machine WBN publication is an A4 loose-leaf artist’s book which can be taken apart and made into a portable exhibition. Produced in an edition of 100, housed in a string tied envelope with a screenprinted title. The block of pages h... Read More about Ghosts in the machine.