Dr Paul Laidler's Outputs (58)

The printed reality exhibition (2009)
Exhibition / Performance

Curated by Paul Laidler The Printed Reality Exhibition was a curated show of photographic works by seven artists presented as a gallery instillation. The exhibition was conceived as a way to bring together the physical exhibition space and the digita... Read More about The printed reality exhibition.

Stretch out with your feelings (2009)
Physical Artefact

Image laser cut into a black heavy weight cotton based paper, included in the 7th RWA Open Print Exhibition curated by Peter Ford.

The Royal West of England Academy has two open exhibitions a year. The first is an exhibition rotating the disciplin... Read More about Stretch out with your feelings.

Is it a game, or is it real? (2009)
Physical Artefact

This artists book work is a reinterpretation of David Bischoff's War Games. In this instance a 'remake' of the Penguin book that uses the film adaptation of Bischoff's novel as the cover image. Here the novels text is proceeded by its cinematic cover... Read More about Is it a game, or is it real?.

Facilitating the fine art digital print (2008)
Presentation / Conference Contribution

The Industrial Revolution of the late 18th – 19th C coincided with art’s Romantic period and its depiction of the ‘great person’ theory. Here, the Romanticists’ solitary creator and autographic distinction were the highest forms of originality in art... Read More about Facilitating the fine art digital print.

Pixel perfect - working with CMYK & RGB - A comparison of printed samples (2008)
Presentation / Conference Contribution

This workshop compared different pre-printed samples on a range of fine art materials, which range from Japanese papers to fine art canvas. These samples demonstrate a very broad range of surface qualities and differences in the gamut of the printed... Read More about Pixel perfect - working with CMYK & RGB - A comparison of printed samples.

The photographic in digital printmaking (2008)
Presentation / Conference Contribution

The paper describes the initial felt need to begin investigating the impact of digital technology within the field of fine art printmaking as a practice led PhD study. Then moving beyond the felt need the presentation pinpoints a series of seminal te... Read More about The photographic in digital printmaking.

Sublime structure featuring romantic deadpan (2008)
Physical Artefact

Artwork selected for 'Through the Lens', RWA 1st Open Photography Exhibition, 8th June – 20th July 2008.

Exhibition selectors:
Derek Balmer, President RWA, Simon Quadrat RWA, Chairman of Exhibitions Committee, Gina Glover, Co-founder Photo Fusion... Read More about Sublime structure featuring romantic deadpan.

'Roombeek Series' and 'Here and There' (2008)
Physical Artefact

Two works selected for Bristol Contemporary Open, an artist-led initiative and annual exhibition, showcasing emerging contemporary artists from the Bristol and South West region. The exhibition has been organised and curated by practicing artists to... Read More about 'Roombeek Series' and 'Here and There'.

The production of archivally stable fine art prints: The role of the master printer in the digital age (2006)
Book Chapter

From a conference paper given at the Third International Conference: Preservation and Conservation Issues Related to Digital Printing and Digital Photography, 25th April 2006, Institute of Physics, London. For many blue chip artists the master printe... Read More about The production of archivally stable fine art prints: The role of the master printer in the digital age.

Customising digital printing for fine art practice (2005)
Presentation / Conference Contribution

The presentation will demonstrate how through alternative methods of digital print production the Centre for Fine Print Research (CFPR) is developing methodologies for digital printing that attempt to move beyond standard reproductive print methods.... Read More about Customising digital printing for fine art practice.

A perpetual portfolio (2005)
Exhibition / Performance

The Catalogue for the Perpetual Portfolio Exhibition was released at the Museo Nacional Del Grabado, Buenos Aires, Argentina in June 2005. The publication includes all twenty-three prints produce during the CFPR digital residency programme of which e... Read More about A perpetual portfolio.

Murmurs from earth and stretch out with your feelings
Physical Artefact

Recording landscape
Presentation / Conference Contribution

A conference workshop on producing and stitching panoramic photographs of the landscape for digital print and books.

84th annual international competition: Photography
Physical Artefact

International Exhibition: 84th annual international competition: Photography,
Juror Ingrid Schaffner, The Print Center, Philadelphia, USA
Dates: May 1 - July 24, 2010

The Print Center’s Annual International Competition is one of the most presti... Read More about 84th annual international competition: Photography.

Toast: A night on Weevil Lake
Physical Artefact

A collaborative artist's book and movie produced on World Book Night, Saturday 5th March 2011, in tribute to Douglas Coupland's novel The Gum Thief, an evening of nothing being cooked, Chinese food having to be ordered in and eaten off of paper plat... Read More about Toast: A night on Weevil Lake.

Print is dead series
Digital Artefact

Included in the exhibition ‘Post-digital printmaking: Redefinition of the concept of matrix’curated by Prof. Aleksandra Janik at the Wrocław Academies Centre for Applied Arts and Innovation 02/11/2015 – 19/11/2015.

The exhibition presents examples... Read More about Print is dead series.

Shine on
Physical Artefact

On 23/04/15, we, the WBN United Artists made our annual World Book Night tribute. This year we chose Stephen King's magnificent horror novel The Shining. We matched the models to text excerpts from the New English Library paperback edition of The Shi... Read More about Shine on.

Looking through the eyes of machines as Students
Digital Artefact

‘There truly are many forms of imagery nowadays that are modern, and unique to this period. We’re surrounded by systems, devices and machines generating heaps of raw graphic novelty’ (B. Sterling, 2012)

Curated by Paul Laidler the exhibition offer... Read More about Looking through the eyes of machines as Students.