Automatic for the people: Crowd-driven generative scores using Manhattan and machine vision (2021)
Conference Proceeding
Nash, C. (2021). Automatic for the people: Crowd-driven generative scores using Manhattan and machine vision.

This paper details a workshop and optional public installation based on the development of situational scores that combine music notation, AI, and code to create dynamic interactive art driven by the realtime movements of objects and people in a live... Read More about Automatic for the people: Crowd-driven generative scores using Manhattan and machine vision.

Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation (2021)
Conference Proceeding
Ho, W. (2021). Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation. . https://doi.org/10.7577/formakademisk.4407

This extended abstract accompanies a research film submission. This film makes three observations on the filming of tactility and movement in order to adequately convey tacit knowledge in embodied ways. The author, Wuon-Gean Ho, studied the craft... Read More about Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation.

Creativity in children's digital music composition (2021)
Conference Proceeding
Ford, C., Bryan-Kinns, N., & Nash, C. (2021). Creativity in children's digital music composition. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). https://doi.org/10.21428/92fbeb44.e83deee9

Composing is a neglected area of music education. To increase participation, many technologies provide open-ended interfaces to motivate child autodidactic use, drawing influence from Papert’s LOGO philosophy to support children’s learning through pl... Read More about Creativity in children's digital music composition.